The new Timewarp slow-motion filter goes well beyond the usual frame blending and includes Pixel Motion, which interpolates at the pixel level to create entirely new frames. For extremely fine HDR colour distinctions, After Effects Professional can work with 16 or even 32 bits per channel. We can’t advocate using After Effects for any compositing of HDV files in its current form.Īs always, the Professional version of After Effects receives some of the best new abilities. Once we’d managed to import some HDV, dragging it to the composition window also led to a huge delay. Although Premiere Pro 2 is now very responsive with HDV, After Effects took a long time to import the same files, leading us to believe it had crashed on more than one occasion. We found the beta version of After Effects 7 made available for this review was unstable with high-definition footage. However, a built-in capture tool using Premiere Pro’s engine may have been quicker. This will load Premiere Pro, give you the chance to create a new project and then automatically take you to video capture. But a few features flow in the other direction in particular, you can call Premiere Pro’s capture engine directly from After Effects’ file menu. Most of the benefit of the Dynamic Link, available when you purchase one of the Production Studio bundles, is in Premiere Pro’s favour, making After Effects projects easier to use with the latter. This has been sorely lacking in After Effects, especially when mainstream editing software like Liquid Edition has offered graphs for a number of years. You can then grab keyframes and move them about, plus manipulate Bezier handles to alter both ease-in and ease-out. As well as the usual timeline view for parameter keyframes, you can toggle a graphical view of how parameter values vary over time, and even include more than one parameter in the view. Probably the most essential new feature of all, however, is the Graph Editor. And if you prefer working the old way, you can still undock the palettes and move them about. The changes should help Premiere Pro users feel less daunted by After Effects’ many complications. Gone are the free-floating palettes in favour of stitched-together windows that won’t end up overlapping. After Effects 7 has also had a major facelift and been brought in line with the rest of Adobe’s apps. This now takes better advantage of graphics hardware power for more responsive compositing and faster previews. An improvement every user will appreciate is the even greater optimisation of the OpenGL rendering engine.
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